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| 2002 |
Edward Thorp Gallery, New York |
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| 1998 |
Galerie Georges-Phillipe et Nathalie Vallios, Paris |
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| 1997 |
Sandra Gering Gallery, New York |
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| 1995 |
Crypte de l’Eglise del’Assomption, Rosnay-L’Hopital, France |
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Eglisen de Aumenancourt, Marne, France |
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| Passages, Centre d’art Contemporain, Troyes, France (exh. cat.) |
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| Gallerie Georges-Philippe Vallois |
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| 1993 |
American Fine Arts, New York |
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| 1991 |
Galerie Faust, Geneva, Switzerland, "Julia Wachtel" and "Haim Steinbach" |
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Museum of Contemporary Art, Chicago, "Option 41" (exh. cat) |
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American Fine Arts, New York |
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| 1990 |
Carl Solway Gallery, Cincinnati, Ohio |
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Galerie Georges-Philippe Vallios, Paris, "Julia Wachtel" and "Peter Nagy" |
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| 1989 |
Greenville County Art Museum, Greenville, North Carolina |
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Diane Brown Gallery, New York (exh. cat.) |
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| 1988 |
Diane Brown Gallery, New York |
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Nature Morte Gallery, New York |
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| 1987 |
Diane Brown Gallery, New York |
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| 1985 |
Diane Brown Gallery, New York |
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Nature Morte Gallery, New York |
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| 1984 |
Nature Morte Gallery, New York |
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| 1983 |
C.U.N.Y. Graduate Center Mall, New York, "Social Conquest"
(Collaboration with Haim Steinbach) |
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| 1981 |
Fashion Moda, Bronx, New York, "Relations of Absence" |
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| 2002 |
Edward Thorp Gallery, New York, NY "Aviary" |
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| 2001 |
W Exhibition, the Musee des Beaux-Arts, Dole, France, curated by
Robert Nickas and Vincent Pecoil (exh. cat.) |
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| 2000 |
Edward Thorp Gallery, New York, "Specifically Painting" |
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| 1999 |
The Bronx Museum of Arts, "Urban Mythologies: The Bronx |
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Represented Since the 1960’s" curated by Lydia Yee (exh.cat) |
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| Liverpool Biennial, Liverpool, England, "Artlovers", curated by Marcia Fortes, (exh.cat.) |
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| Art & Public, Geneva, Switzerland, "Sweet & Sour" |
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| Carl Solway Gallery, Cincinnati, Ohio, "Text & Signifier" |
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| Louve, Museum of the Applied Arts, Paris, Absolut Collection |
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| 1998 |
Galerie Für Zeitgenössische Kunst, Leipzig, Germany, "Weather Everything",
curated by Eric Troncy |
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Rotunda Gallery, Brooklyn, New York, "Interpreting" |
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Edinburgh International Art Festival, Edinburgh College of Art, Scotland,
"I Love New York" |
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| 1996 |
Basilico Fine Arts, New York, "Can We Talk" |
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| 1995 |
Neue Galerie am Landesmuseum, Graz Austria, "Pittura Immedia" |
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Peinture, Photo et Cie, Les recontras d’Arles, France, (exh.cat.) |
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| 1991 |
fiction/nonfiction, New York, "Painting Culture" |
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Genovese Gallery Annex, Boston |
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| Rena Bransten Gallery, San Francisco |
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| 1990 |
Andrea Rosen Gallery, New York, "Stendahl Syndrome: The Cure" (exh.cat.) |
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Le Consortium, Dijon, France, "le choix des femmes" |
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| Simon Watson Gallery, New York, "Total Metal" (exh.cat.) |
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| Massimo Audiello Gallery, "The Last Laugh" |
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| Wright State University, the University Art Galleries, "Assembled: Works of Art Using Photography as a Construction Element" (exh. cat.) |
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| 1989 |
Turon Travel, Inc., New York, "Jet Lag" |
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Achim Kubinski, Stuttgart, West Germany (exh. cat.) |
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Robbin Lockett Gallery, Chicago, "Ian Hamilton Finlay, Mitchell Kane,
Julia Wachtel" |
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Jersey City Museum, Jersey City, New Jersey,
"The Mirror in Which Two Are Seen as One" |
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| The School of Visual Art Gallery, New York, "Dream Reality" (exh. cat.) |
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| 1988 |
Hans Meyer Gallery, Dusseldorf, Germany,
"Works Concepts Processes Situation Information" (exh. cat) |
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Graeme Murray Gallery, Edinburgh, Scotland |
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| 121 Art Gallery, Antwerp, Belgium |
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| Scott Hanson Gallery, New York, "Media Post-Media" (exh. cat.) |
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| 1988 |
The Brooklyn Museum, Brooklyn, New York, "Appropriation and Syntax: The Uses of Photography in Contemporary Art" |
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Scott Hanson Gallery, New York |
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| 1987 |
Margo Leavin Gallery, Los Angeles, "Nothing Sacred" |
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Los Angeles County Museum of Art, Los Angeles, "Avant-Garde In the Eighties" (exh. cat.) |
|
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The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,
"Post-Abstract Abstraction" (exh. cat.) |
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Galerie Pierre Huber, Geneva, Switzerland, "The Art of the Real" (exh. cat.) |
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| Knight Gallery, Charlotte, North Carolina, "Romance" |
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| Institute of Contemporary Art, London, "Comic Iconoclasm" (exh. cat.) |
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Hillwood Art Gallery, Long Island University/C.W. Post Campus, Greenvale,
New York, "Perverted by Language" (exh. cat.) |
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| Barbara Toll Fine Arts, New York, "Monster: The Phenomena of Dispassion" |
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| 1986 |
S.L. Simpson Gallery, Toronto, Canada, "Ultrasurd" (exh. cat.) |
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American Fine Arts Co., Colin de Land Fine Art, New York |
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| Bess Cutler Gallery, New York, "When Attitudes become Form" |
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| Bard College, Annadale-on-Hudson, New York, " The Ready Made Painted" |
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| Metro Pictures, New York |
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| Nature Morte Gallery, New York |
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| 1985 |
Artists Space, New York, "Split Vision" (exh. cat.) |
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Daniel Newburg Gallery, New York, "Persona Non Grata" |
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Texas Gallery, Houston, "Infrotainment", (exh. cat.)
(Traveled to Rhona Hoffman Gallery, Chicago; Vanguard Gallery, Philadelphia;
Aspen Art Museum, Aspen, Colorado, De Selby Gallery, Amsterdam,
the Netherlands; Galerie Montenay Del Sol, Paris, France) |
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Whitney Museum of Art, New York, "1985 Biennial Exhibition,"
as part of Group Material "Americana" (exh. cat.) |
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| Saidye Bronfman Centre, Montreal, Canada, "East Village" |
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| 1984 |
University Art Museum, University of California at Santa Barbara, |
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"Neo York: Report on a Phenomenon" (exh. cat.) |
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| L.A.C.E. Gallery, Los Angeles, "Emblem" |
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| Institute for Contemporary Art, P.S. 1, Long Island City, New York |
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| Group Material, "Timeline of Intervention in Central America" |
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| Artists Space, New York, "Hundreds of Drawing" |
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| Center Gallery, Bucknell University, Lewisburg, Pennsylvania |
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Sardoni Art Gallery, Wilkes College, Wilkes-Barre, Pennsylvania,
"Contemporary Perspectives" |
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| 1983 |
Hallswalls Contemporary Art Center, Buffalo, New York (exh.cat.) |
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Brooklyn, New York, "Terminal Show/Preparing for War" |
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| Subway Ad Space, New York, Group Material, "Subculture" |
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| Latino Space, Group Material, "Revolutionary High Art" |
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| 1982 |
The Drawing Center, New York, "Fifth Anniversary Exhibition" (exh. cat.) |
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| 1981 |
Bus System, New York, Group Material, "M5Show" |
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Artists Space, New York, "Selections" (exh. cat.) |
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| New York, Group Material, "Gender Show" |
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| Drawing Center, New York: "Selections 14" |
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| 1979 |
Institute for Contemporary Art, P.S. 1, Long Island City, New York
"Film and Sound Installation" |
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