EDWARD THORP GALLERY

Exhibitions

Current Exhibitions

2018

Hooked Mats of the Grenfell Mission

Turn of Thought

2017

Anecdotal Abstraction

Hold That Thought

Summer Invitational

New Work, New York

Edward Finnegan

2016

Southwest by Northeast

June Leaf, A Survey

2015

Charles W. Hutson

Foreign Bodies, Judith Simonian

June Leaf: Recent Work

Kimono Propaganda

Receptive Fields

2014

American Folk Art

Neil Farber: The Open Wide

American Quilts

Summer Show 2014

Uncommon Ground

Mark DeLong/Sarah Gamble

2013

Painting Advanced

Judith Simonian, Recent Paintings

Matt Blackwell Picklelilly

2012

Gallery Artists: A Survey

Haitian Master Painters

Katherine Bradford, New Work

Long and the Short of It

2011

Clare Grill/Judith Simonian

Judith Linhares Riptide

Neil Farber Slugging

Tour and Trance

June Leaf: Recent Work 2011

Artists

Markus Baenziger

Charles W. Hutson

Jenifer Kobylarz

Judith Simonian

Exhibited Artists

Katherine Bradford

Christopher Brown

Graham Gillmore

Judith Linhares

Peter Schmersal

EDWARD THORP GALLERY

Exhibitions

Current Exhibitions

2018

Hooked Mats of the Grenfell Mission

Turn of Thought

2017

Anecdotal Abstraction

Hold That Thought

Summer Invitational

New Work, New York

Edward Finnegan

2016

Southwest by Northeast

June Leaf, A Survey

2015

Charles W. Hutson

Foreign Bodies, Judith Simonian

June Leaf: Recent Work

Kimono Propaganda

Receptive Fields

2014

American Folk Art

Neil Farber: The Open Wide

American Quilts

Summer Show 2014

Uncommon Ground

Mark DeLong/Sarah Gamble

2013

Painting Advanced

Judith Simonian, Recent Paintings

Matt Blackwell Picklelilly

2012

Gallery Artists: A Survey

Haitian Master Painters

Katherine Bradford, New Work

Long and the Short of It

2011

Clare Grill/Judith Simonian

Judith Linhares Riptide

Neil Farber Slugging

Tour and Trance

June Leaf: Recent Work 2011

Artists

Markus Baenziger

Charles W. Hutson

Jenifer Kobylarz

Judith Simonian

Exhibited Artists

Katherine Bradford

Christopher Brown

Graham Gillmore

Judith Linhares

Peter Schmersal

Borrowed Time

Borrowed Time

Group Show

October 25th - January 12th, 2013

Individual Works

Matthew Blackwell, 2012,  Where Time Goes , Mixed media, 55h x 46w x 3d in.

Anonymous, New York City, c. 1880-90,  Fraternal Lodge Hour Glass , Oil enamel on artist board, 16h x 20w in.

Anonymous, Pennsylvania, c. 1920-40, Top hat, jacket, vest and pants covered in sewn squares of silk textiles, Likely from a Vaudeville act., 72h x 19w x 12d in.

Anonymous, American, last quarter of the 19th Century,  Home Sweet Home , Stone lithography on paper, original, 20.25h x 24w x 1.25d in.

Anonymous, Kent State University, Ohio, ca. 1960s,  Anti- War Protest Helmet , Poured enamel paint on military headgear, 17h x 9.5w x 10.5d in.

Anonymous, American, c. 1920s

 
 
 
 
 
 
 
 
 
 
 
 

, Salesman’s Samples, Examples of hand colored photographs/landscape painting, 17h x 11w x 3.5d in.

Katherine Bradford, 2011-12,  Amelia Earhart 89,  Gouache on paper, 11h x 15w in.

Anonymous, Philadelphia, PA, ca. early 20th century,  Nanny Screen , Three part lacquered wood folding screen framing block printed textiles with a nursery theme, 61.5h x 49w x 16d in.

Issa Ibrahim, 2004,  Ahead Of it’s Time II,  Watches attached to a styrofoam head form, mounted on black base, 10h x 8w x 6d in., Signed and dated (Bottom)

Paul Follot, French, 1920s, Mantle Clock, Gilt and carved wood (Working), 11.5h x 11.25w x 2.75d in.

Anonymous, 1930s, German-Deco Clock, Bronze (Working, key and pendulum available), 12.25h x 7w x 5d in.

June Leaf, 1951,  Operation , Pencil on paper, 16.75h x 20.75w in. (framed)

Anonymous (American, c. 1870-90),  Garden Sundial , Carved stone, 20h x 15w x 7d in.

Ed Ruscha, 1967,  1984 , Lithograph, 27.75h x 32.75w in. (framed), Signed and dated, Ed. of 60

Man Ray, 1923/63,  Indestructible Object Metronome, 8.5h x 4w x 4.5d in., Signed

Philip Guston (American, c. 1913-1980),  Untitled , c. 1969, Pencil on paper, 24h x 27.75w in. (framed)

WWII Poster, American, c. 1941,  Every Minute Counts , Poster designed and produced by Division of Information, Office of War Information, for display in war plants throughout the nation, 17h x 121w in.

Anonymous, American, c. 1930,  Prosperity Card , Offset print on paperboard, 20h x 23w in. (framed)

Marcel Duchamp, 1937,  Nu Descendant un Escalier , Collotype colored pochoir, 13.75h x 7 7/8w in., Signed

James Rosenquist, 2011,  The Memory Continues but the Clock Disappears , Framed lithograph with rotating mirror, 39.25h x 26.5w x 2d in., #26 from an edition of 45

Harold Edgerton, 1960-1985,  Cranberry Juice Dropping into Milk , Dye transfer print from the portfolio, “Ten Dye Transfer Photographs”, Paper size: 20h x 16w in., framed, Signed and dated

Markus Baenziger, 2012,  Day In Day Out , Bronze, resin, copper wire, found objects, 24.25h x 15w x 15.75d in.

Paul Strand, 1939,  Skeleton/Swastika , Connecticut, Vintage gelatin silver print 17.75h x 14.75w in., framed

Clock Trade Sign, c. 1870s, Double sided with pair of Father Time figures in case iron with tin faces, 19th c. Repaint to numerals, 28 x 28 x 2.5 inches

Piero Fornasetti, 1940s, Screen, Four panel transfer-decorated and red lacquered screen, decorated with, Italian canal scene, on castors, 61h x 20w in., each panel

Johannes Dahl, 1921,  Sundial , Swedish forged and cast iron, raised on a pedestal, 63h x 34w x 17d in., Signed and dated

Thomas Howard, 1928 (printed 1970s),  Ruth Snyder in the Electric Chair , Silver gelatin print, 20.75h x 16.75 w in. (framed)

Eadweard Muybridge, 1887,  Animal Locomotion Plate 133: Nude Descending a Staircase , Collotype, 21h x 25w in. (framed)

Eadweard Muybridge, 1887,  Woman, Turning and Ascending Stairway , From The Human Figure in Motion Series (1901), Collotype, 20h x 25w in. (framed)

Eadweard Muybridge,  Nude Woman Descending a Ramp , From The Human Figure in Motion Series (1901), Collotype, 20h x 25w in. (framed)

Anonymous, United States, last quarter of the 19th century,  American Capitals , Pieced and carved walnut on a jointed frame of hollow construction, 17.25h x 20w x 20d in.

Duane Michals, 1969, 

 
 
 
 
 
 
 
 
 
 
 
 

The Human Condition , Six gelatin silver prints, Image: 3 3/8h x 5w in., Paper: 5h x 7w in., Signed and titled recto in ink, From an edition of 25

Duane Michals, 1978,  Now Becoming Then,  Gelatin silver print with hand applied text, Paper: 11h x 14w in., Signed, titled, numbered and annotated recto in ink, From an edition of 25

George Widener, 2012,  Juke Box , Wire and mixed media, 28h x 15.5w x 6d in.

Albert York, c. 1964,  Woman and Skeleton , Oil on canvas mounted on masonite, 12h x 11w in. (framed)

Anonymous, American, c. early 20th century, Table, Wood, Found in Maine cabin, decades of off season feeding by porcupines, 28.75h x 39w x 25.5d in.

Installation View

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